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Hey, movie buffs and Disney diehards—buckle up, because we’re diving into the trainwreck that’s Disney’s 2025 Snow White. Released on March 21, it’s barely been a week, and folks are already slapping it with the “most hated movie of the century” label. Yeah, you heard that right—this isn’t just a flop; it’s a full-on cultural punching bag. So, what went wrong with this live-action remake of the 1937 classic? Let’s unpack the mess, from casting chaos to CGI disasters, and figure out why it’s got everyone from X trolls to critics ready to chuck poisoned apples at it.
First off, let’s talk about the leads—Rachel Zegler as Snow White and Gal Gadot as the Evil Queen. These two didn’t just step into a movie; they walked into a warzone. Zegler, with her Colombian-Polish roots, got cast back in 2022, and the internet lost its mind. “Snow White’s supposed to be pale as snow!” screamed the purists, ignoring that the name’s tied to a snowstorm survival story in this version, not skin tone. Fair enough, some folks cling to the old cartoon like it’s gospel, but the racist undertones in the backlash? Yikes. Zegler didn’t help herself either—her 2022 D23 Expo quip about the original prince being a stalker and the story being “dated” rubbed fans the wrong way. I get it, she’s got a point about modernizing a damsel tale, but girl, read the room—Disney fans don’t like their nostalgia trashed.
Then there’s Gadot. She’s Israeli, served in the IDF, and has been loud about supporting Israel, especially after the 2023 Hamas attack. Meanwhile, Zegler’s been all “Free Palestine” on X since 2021. Cue the clash—pro-Israel folks hate Zegler, pro-Palestine folks hate Gadot, and Disney’s stuck in the middle of a geopolitical dumpster fire. Protests hit Gadot’s Walk of Fame gig on March 18, and Zegler’s Trump-bashing post-election rant (she apologized later) only fanned the flames. It’s like the movie became a proxy for every hot-button issue out there. Who knew Snow White could stir up this much drama?
Okay, let’s move to the Seven Dwarfs—or rather, the Seven CGI Blobs. This one’s a head-scratcher. Back in 2022, Peter Dinklage, the Game of Thrones legend, called out Disney for keeping the “backward” dwarf story while trying to be progressive with Zegler’s casting. Fair point—seven little guys in a cave feels dated. Disney’s fix? Ditch actors with dwarfism and go full CGI. Big mistake. Actors like Jason “Wee Man” Acuña and Dylan Postl were pissed, saying it stole jobs from a community that rarely gets big roles. “Why not cast us?” they asked. Good question.
The result? Creepy, uncanny-valley dwarfs that look like they stumbled out of a bad video game. Critics—like Roger Ebert’s team—called them “inexpressive” and a downgrade from the original’s charm. Fans on X are brutal too, with one post saying it’s “Snow White and the Seven Average CGI Nightmares.” It’s a lose-lose: Disney dodged one controversy and tripped into another, alienating both the dwarfism community and viewers who wanted that classic vibe.
Here’s where I get mad. The original Snow White is a simple, sweet fairy tale—girl flees evil stepmom, finds quirky pals, gets saved by love. This 2025 version? It’s like Disney threw the script in a blender with a “girlboss” filter. Snow White’s not waiting for a prince anymore—she’s teaming up with Jonathan (Andrew Burnap), a thief with Robin Hood vibes, to reclaim her kingdom. Cool idea, right? Except it feels forced. Zegler belts out new tunes like “Waiting On a Wish,” and yeah, her voice is killer, but the songs don’t stick like “Someday My Prince Will Come.” X users are calling them “forgettable” and “Moana rejects.”
The plot’s a mess too. Critics say it’s rushed, with payoffs that don’t land—think Snow White minus the heart. One X post I saw nailed it: “It’s soulless slop. Why am I watching this?” Disney wanted to empower Snow White, but they forgot what made her special. Instead of a timeless tale, we got a half-baked reboot that’s neither old-school magic nor bold new vision.
Numbers don’t lie—this thing’s tanking. With a $200 million budget, it pulled in just $42 million domestically opening weekend and $87 million worldwide so far. Compare that to Beauty and the Beast’s $357 million opening in 2017. Ouch. Disney even scaled back the premiere—no big red carpet, just a quiet family event—hoping to dodge more heat. Didn’t work. On YouTube, the trailer’s got a 93% dislike ratio (1.4 million downvotes to 100k likes). X is a warzone—posts call it “Snow Woke,” a “woke mind virus,” and “the worst Disney remake yet.” Even the 42% Rotten Tomatoes score feels generous when you read the reviews trashing the CGI and lack of charm.
Look, I’ll be real—this movie’s got flaws. The CGI’s off, the story’s shaky, and the casting drama didn’t help. But “most hated of the century”? That’s a stretch. It’s not Cats (2019) levels of bad—Zegler’s a star, the visuals are pretty (dwarfs aside), and some folks on X actually liked it, calling it “decent” and “magical.” The hate’s amped up because it’s Disney, and people love tearing down a giant. Plus, the culture war stuff—race, politics, feminism—turned Snow White into a lightning rod. It’s less about the film and more about what people project onto it.
So, is Snow White 2025 the century’s most hated movie? Maybe not objectively—it’s no Battlefield Earth—but it’s definitely the most controversial. Disney tried to please everyone and ended up pleasing almost no one. They gambled on a woke rehash, botched the dwarfs, and cast two stars who accidentally turned it into a political football. Fans wanted nostalgia; they got a lecture. I’m bummed, honestly—I wanted to love this. But between the backlash and the execution, it’s a poisoned apple that’s tough to swallow.
What’s your take? Seen it yet? Hate it, love it, or just over the drama? Drop your thoughts below—I’m dying to hear what you think about this hot mess!